Selected — and always collaborative — work in directing, dramaturgy, and performance.
Directing
BACCHAI, by Euripides | Swarthmore College | photo: Miles Skorpen
BACCHAI, by Euripides | Swarthmore College | photo: Media Services
BACCHAI, by Euripides | Swarthmore College | photo: Media Services
BACCHAI, by Euripides | Swarthmore College | photo: Media Services
BACCHAI, by Euripides | Swarthmore College | photo: Media Services
BACCHAI, by Euripides | Swarthmore College | photo: Media Services
PLEASE OPEN YOUR MOUTH, by Joanna Garner | The Cohen New Works Festival, UT-Austin
PLEASE OPEN YOUR MOUTH, by Joanna Garner | The Cohen New Works Festival, UT-Austin
PLEASE OPEN YOUR MOUTH, by Joanna Garner | The Cohen New Works Festival, UT-Austin
PLEASE OPEN YOUR MOUTH, by Joanna Garner | The Cohen New Works Festival, UT-Austin
PLEASE OPEN YOUR MOUTH, by Joanna Garner | The Cohen New Works Festival, UT-Austin
PLEASE OPEN YOUR MOUTH, by Joanna Garner | The Cohen New Works Festival, UT-Austin
OLD BROADS, by Lydia Blaisdell | AD HOC, Off Shoot | photo: Tom Rosenberg
OLD BROADS, by Lydia Blaisdell | AD HOC, Off Shoot | photo: Lydia Blaisdell
DAYS AND NIGHTS WITHIN, by Ellen McLaughlin | Swarthmore College | photo: Miles Skorpen
DAYS AND NIGHTS WITHIN, by Ellen McLaughlin | Swarthmore College | photo: Miles Skorpen
DAYS AND NIGHTS WITHIN, by Ellen McLaughlin | Swarthmore College | photo: Miles Skorpen
DAYS AND NIGHTS WITHIN, by Ellen McLaughlin | Swarthmore College | photo: Miles Skorpen
DAYS AND NIGHTS WITHIN, by Ellen McLaughlin | Swarthmore College | photo: Miles Skorpen
SEROTONIN SYNDROME | Galway Fringe | photo: Darius Ivan
SEROTONIN SYNDROME | Galway Fringe | photo: Darius Ivan
THE DESTRUCTION OF THE CITY, AND ALSO AN ITINERARY FOR VISITORS, devised by the ensemble | AD HOC, Philly Fringe | photo: Kim Comer
THE DESTRUCTION OF THE CITY, AND ALSO AN ITINERARY FOR VISITORS, devised by the ensemble | AD HOC, Philly Fringe | photo: Kim Comer
BEAR EATS BEAR, by Lydia Blaisdell | groundswell, Rude Fusion | photo: Martinique Duchene-Phillips
BEAR EATS BEAR, by Lydia Blaisdell | groundswell, Rude Fusion | photo: Martinique Duchene-Phillips
THINGS YOU SHOULDN'T DISCUSS, devised by the ensemble after Louise Glück’s MEADOWLANDS | Swarthmore College | photo: Kyle Khellaf
THINGS YOU SHOULDN'T DISCUSS, devised by the ensemble after Louise Glück’s MEADOWLANDS | Swarthmore College | photo: Kyle Khellaf
THINGS YOU SHOULDN'T DISCUSS, devised by the ensemble after Louise Glück’s MEADOWLANDS | Swarthmore College | photo: Kyle Khellaf
THINGS YOU SHOULDN'T DISCUSS, devised by the ensemble after Louise Glück’s MEADOWLANDS | Swarthmore College | photo: Kyle Khellaf
THINGS YOU SHOULDN'T DISCUSS, devised by the ensemble after Louise Glück’s MEADOWLANDS | Swarthmore College | photo: Kyle Khellaf
LOVE GOES TOWARD LOVE: a Shakesqueerian exploration of love and longing | LGTL with Something for Nothing Theatre
LOVE GOES TOWARD LOVE: a Shakesqueerian exploration of love and longing | LGTL with Something for Nothing Theatre
LOVE GOES TOWARD LOVE: a Shakesqueerian exploration of love and longing | LGTL with Something for Nothing Theatre
SERATA FUTURISTA | Swarthmore College | photo: Laura Holzman
SERATA FUTURISTA | Swarthmore College | photo: Laura Holzman
WILD PLACES, by Joanna Garner | groundswell, Rude Fusion | photo: Joanna Garner
WILD PLACES, by Joanna Garner | groundswell, Rude Fusion | photo: Joanna Garner
WILD PLACES, by Joanna Garner | groundswell, Rude Fusion | photo: Joanna Garner
MUCH ADO ABOUT NOTHING, by William Shakespeare | Austin Community College | photo: Dwayne Barnes
MUCH ADO ABOUT NOTHING, by William Shakespeare | Austin Community College | photo: Dwayne Barnes
MUCH ADO ABOUT NOTHING, by William Shakespeare | Austin Community College | photo: Dwayne Barnes
MUCH ADO ABOUT NOTHING, by William Shakespeare | Austin Community College | photo: Dwayne Barnes
MUCH ADO ABOUT NOTHING, by William Shakespeare | Austin Community College | photo: Dwayne Barnes
MUCH ADO ABOUT NOTHING, by William Shakespeare | Austin Community College | photo: Dwayne Barnes
MUCH ADO ABOUT NOTHING, by William Shakespeare | Austin Community College | photo: Dwayne Barnes
MUCH ADO ABOUT NOTHING, by William Shakespeare | Austin Community College | photo: Dwayne Barnes
Dramaturgy
"More About Love," TRANSCENDENCE, chor. Yacov Sharir, restaged by Andrea Beckham | Dance Repertory Theatre, UT-Austin
EVERYBODY, by Branden Jacobs-Jenkins | Southwestern University, dir. Rudy Ramirez
GRAND MISERY: The Epic Improvised Tragic Musical Spectacular | Hideout Theatre, dir. Margaret Hunsicker and Mallory Schlossberg | photo: Steve Rogers
the "unused revolutions" | GRAND MISERY: The Epic Improvised Tragic Musical Spectacular | Hideout Theatre | photo: Roy Janik
GRAND MISERY: The Epic Improvised Tragic Musical Spectacular | Hideout Theatre, dir. Margaret Hunsicker and Mallory Schlossberg | photo: Steve Rogers
DANIEL / ROSE | The Cohen New Works Festival, UT-Austin, created and directed by Adam L Sussman with text from Thom May, Hannah Kenah, Adam Sussman and Lane Stanley
DANIEL / ROSE | The Cohen New Works Festival, UT-Austin, created and directed by Adam L Sussman with text from Thom May, Hannah Kenah, Adam Sussman and Lane Stanley
THE KINDNESS OF STRANGERS | Hideout Theatre, dir. Kaci Beeler and Rob Yoho | photo: Steve Rogers
THE KINDNESS OF STRANGERS | Hideout Theatre, dir. Kaci Beeler and Rob Yoho | photo: Steve Rogers
THE KINDNESS OF STRANGERS | Hideout Theatre, dir. Kaci Beeler and Rob Yoho | photo: Steve Rogers
A STREETCAR NAMED DESIRE, by Tennessee Williams | Austin Shakespeare, dir. Ann Ciccolella | photo: Bret Brookshire
A STREETCAR NAMED DESIRE, by Tennessee Williams | Austin Shakespeare, dir. Ann Ciccolella | photo: Bret Brookshire
A STREETCAR NAMED DESIRE, by Tennessee Williams | Austin Shakespeare, dir. Ann Ciccolella | photo: Bret Brookshire
A STREETCAR NAMED DESIRE, by Tennessee Williams | UT-Austin, dir. Jess Hutchinson | photo: Lawrence Peart
A STREETCAR NAMED DESIRE, by Tennessee Williams | UT-Austin, dir. Jess Hutchinson | photo: Lawrence Peart
A STREETCAR NAMED DESIRE, by Tennessee Williams | UT-Austin, dir. Jess Hutchinson | photo: Lawrence Peart
A STREETCAR NAMED DESIRE, by Tennessee Williams | UT-Austin, dir. Jess Hutchinson | photo: Lawrence Peart
ENTER A WOMAN, PRETTY ENOUGH, by Diana Lynn Small | UT-Austin, dir. Jess Hutchinson
ENTER A WOMAN, PRETTY ENOUGH, by Diana Lynn Small | UT-Austin, dir. Jess Hutchinson
ENTER A WOMAN, PRETTY ENOUGH, by Diana Lynn Small | UT-Austin, dir. Jess Hutchinson
SOUVENIR, by Stephen Temperley | Baltimore Center Stage, dir. Vivian Matalon | photo: Richard Anderson
SOUVENIR, by Stephen Temperley | Baltimore Center Stage, dir. Vivian Matalon | photo: Richard Anderson
HEARTS, by Willy Holtzman | Baltimore Center Stage, dir. Tim Vasen
HEARTS, by Willy Holtzman | Baltimore Center Stage, dir. Tim Vasen
HEARTS, by Willy Holtzman | Baltimore Center Stage, dir. Tim Vasen
Performance
BIOGRAPHY OF PHYSICAL SENSATION (devising ensemble) | Rubber Repertory, dir. Josh Meyer and Matt Hislope
JUNIE B. JONES IN JINGLE BELLS, BATMAN SMELLS (Lucille/Elf Ellen) | Austin Scottish Rite Theater, dir. Susan Gayle Todd and Jessica Arjet | photo: Steve Rogers
JUNIE B. JONES IN JINGLE BELLS, BATMAN SMELLS (Lucille/Elf Ellen) | Austin Scottish Rite Theater, dir. Susan Gayle Todd and Jessica Arjet | photo: Steve Rogers
DANIEL / ROSE (Ensemble) | The Cohen New Works Festival, created and directed by Adam L Sussman with text from Thom May, Hannah Kenah, Adam Sussman and Lane Stanley
AM I WHITE (Polly) | Salvage Vanguard Theatre, dir. Jenny Larson | photo: Erica Nix
AM I WHITE (Polly) | Salvage Vanguard Theatre, dir. Jenny Larson | photo: Erica Nix
AM I WHITE (Polly) | Salvage Vanguard Theatre, dir. Jenny Larson | photo: Erica Nix
MUCH ADO ABOUT NOTHING (Don John / Watchman) | Hideout Theatre, dir. Andy Crouch | photo: Warren Henderson
MUCH ADO ABOUT NOTHING (Don John / Watchman) | Hideout Theatre, dir. Andy Crouch | photo: Warren Henderson
MACBETH (Rosse) | Hideout Theatre, dir. Jordan T. Maxwell | photo: Tyler Brycelove
MACBETH (Rosse) | Hideout Theatre, dir. Jordan T. Maxwell | photo: Tyler Brycelove
FAKESPEARE (Ensemble) | Hideout Theatre, dir. Andy Crouch and Jordan T. Maxwell | photo: Roy Moore
ADAM SULTAN (Ensemble) | Physical Plant Theater, dir. Steve Moore and Zeb West
DIONYSUS IN 69 (Agave/Chorus) | Rude Mechs, dir. Madge Darlington and Shawn Sides | a re-enactment of The Performance Group's 1968 production | photo: Bret Brookshire
DIONYSUS IN 69 (Agave/Chorus) | Rude Mechs, dir. Madge Darlington and Shawn Sides | a re-enactment of The Performance Group's 1968 production | photo: Bret Brookshire
AGNES AND ALFRED (Cora) | Physical Plant Theater, dir. Carlos Treviño
LAND OF GIANTS (Ensemble) | London 2012 Festival, Titanic Slipway, Belfast, Northern Ireland, dir. Mark Murphy | photo: Matthew Tucker
THE CLEAN HOUSE (Matilde) | University of Galway and ISDA Festival (Dublin), dir. Genevieve Taricco
THE CLEAN HOUSE (Matilde) | University of Galway and ISDA Festival (Dublin), dir. Genevieve Taricco | photo: Lauren Phelan
SHOWDOWN (improv ensemble) | GNAP! Theatre Projects, dir. Avimaan Syam | photo: Steve Rogers
"That the science of cartography is limited," after poem by Eavan Boland | US-Ireland Alliance, dir. Joanne McGrath and Trina Vargo
ONE FLEA SPARE (Morse) | School of Night Productions with Frontera@Hyde Park Theatre, dir. Mark Hunter
FLYING (Lenochka) | Breaking String Theater, dir. Graham Schmidt | photo: Will Hollis
FLYING (Lenochka) | Breaking String Theater, dir. Graham Schmidt | photo: Will Hollis
FLYING (Lenochka) | Breaking String Theater, dir. Graham Schmidt | photo: Will Hollis
FLYING (Lenochka) | Breaking String Theater, dir. Graham Schmidt | photo: Will Hollis
FLYING (Lenochka) | Breaking String Theater, dir. Graham Schmidt | photo: Will Hollis